…once the novelty wears off, 1989 still resonates because it’s clearly a deeply personal and idiosyncratic endeavor for Adams. The beauty of the arrangements ultimately derives from a sincere emotional connection to the material. Adams doesn’t dilute the payoffs in Swift’s songs, he just finds his own way to get there.

 

Source: ‘We’re the Same! We’re F-to-A-Minor!’ Ryan Adams on Remaking Taylor Swift’s ‘1989’ «

Advertisements